PLOT: The first graphic novel
adaptation of the work of master storyteller Louis L’Amour is a dynamic
tale of the Old West that explores the borderlands of loyalty and
betrayal with the emotional grittiness of a noir thriller. New
Mexico, 1887, a land in the midst of the worst drought anyone can
remember. Family histories and loyalties run deep, but when rancher Tom
Forrester has his access to the Pecos River cut off by the son of his
old partner, he convinces his foreman, Shad Marone, to pay Jud Bowman
back for the discourtesy. Yet what starts as a simple act of petty
revenge quickly spirals into a cycle of violence that no one can
control. Now Marone is on the run, pursued by a sheriff’s
posse across a rugged desert landscape. Leading the chase is Jesus
Lopez, a half-Mexican, half-Apache with a personal stake in bringing
Shad to justice. Newly released from jail, trusted by no one, Lopez
swears he’s the only man who can track Marone down. That may be true.
But who will live and who will die and what price will be paid in
suffering are open questions. Fate and the Jornada del Muerto desert
possess a harsh justice that is all their own. With a
propulsive script from Beau L’Amour and Kathy Nolan, adapted by Charles
Santino and illustrated in bold black-and-white by Thomas Yeates, LAW OF THE DESERT BORN
captures the dust and blood of Louis L’Amour’s West—a world where the
difference between a hero and a villain can be as wide as the gap
between an act of kindness or brutality or as narrow as a misspoken
word.
REVIEW: ***I received a copy of this book from Goodreads Giveaways in exchange for a fair and honest review.***
Louis
L'Amour is without a doubt, the definitive author for western fiction.
His list of works is nearly endless, and there's a reason that most
western fiction collections you see in libraries or bookstores are
predominately consisted of L'Amour titles. When I saw that a graphic
novel had been adapted from one of his stories, I found it kind of
strange but interesting as well. It's not the kind of story that a
typical graphic novel reader would pick up and read, but more and more
we are finding that some of the timeless fictional stories are being
converted into graphic novel form for fans old and new to enjoy.
I
would like to start by saying I'm not a huge fan of western fiction in
any of its forms, but recently I have started to have an appreciation
for newer western films that stick to classic western styles. This is
the first time I've ever read anything western, and I think this was a
good way to start. Lopez is a great character, and his story told
throughout the book is the driving force behind its greatness. His
association with other characters in the book makes him the main
protagonist, in my eyes, and it causes you to look at everyone else with
a careful eye because of Lopez's apparent wisdom. He seems to know more
than the rest of the characters in the book, which in turns exudes
confident and wholesome qualities about a character that maybe 40 years
ago would have been the one to have watched with a careful eye.
The
story is superbly crafted, told in "present day" with flashbacks
scattered throughout. On the first read through, I found it kind of
complicated with the flashbacks mixed in throughout. Part of me wishes
the story could have been more linear, but it may have taken away from
the final impact of the story. I think I would have been able to follow
the plot better had it been straight through the first time around, but
the use of these flashbacks helps to further the emotional impact of the
story and delay the final punch until the end of the book. I think a
little more background on Marone before the chase begins would have been
neat, but it wasn't necessary in telling this story.
The thing I
liked most about this book is the art. Usually, black and white
illustration in graphic novels is not my favorite, but there are stories
that should only be told in black and white. This is one of those
stories, being that it takes place in a western setting and most stories
like this told in film were during the black and white era of motion
pictures. Westerns are no longer, and haven't been for awhile, the most
popular genre of film, but it only seems appropriate to tell a story
like this in shades of gray. The shading and the art on each page was
breathtaking, and I haven't been this impressed with black and white in a
long time. It suits the book really well. The only problem I had here
is that sometimes it was hard to tell which character was which on the
page, or who was on the page to begin with. When everyone and their
father wears cowboys hats, has a horse, and wears the same style
clothes, it's hard to tell who is who.
Other than the few minor
annoyances, I enjoyed this book and I would recommend it to mostly adult
graphic novel readers. The combination of character illustration
issues, and the flashbacks threw me for a loop at first, but with a more
studious second read I found it to be a quality graphic novel. I would
especially recommend this to an older crowd, as I've already passed this
along to older family members who are fans of the western genre. I
would definitely be interested to see if more of L'Amour's work shows up
in graphic novel form, and I'd hope that the illustrative duties would
be taken care of just as perfectly as they were here. The book is hefty,
and while large, it enables the art more room to pop off the page and
display Thomas Yeates excellent black and white illustrations. A lot of
credit goes to the team that brought this book to life for a new
generation, and possibly a younger audience.
WRITING : ( 8 / 10 )
ARTWORK : ( 10 / 10 )
STORY : ( 7 / 10 )
COVER : ( 7 / 10 )
AWESOME : ( 5 / 10 )
FINAL RATING : ( 7 / 10 )
