Showing posts with label The Dark Knight. Show all posts
Showing posts with label The Dark Knight. Show all posts

Thursday, August 22, 2013

REVIEW: Batman: The Dark Knight, Volume Two: Cycle of Violence

PLOT: The Scarecrow has returned to Gotham City, but he's no longer the meek punching bag Batman is used to. The villainous genius has always preyed on the worst fears of his victims, but has refined his legendary fear toxin to even greater effectiveness and deadlier consequences. As the Scarecrow's origin is unfurled, Batman must find out not only how to conquer this dangerous psychopath, but how to beat his own worst fear.

REVIEW: Yet another brilliant New 52 Batman entry. Batman: The Dark Knight, Volume Two: Cycle of Violence does amazingly dark things for the character of Scarecrow and it really frightens on the page. The way that Scarecrow is drawn is just haunting, with his lips sewn together but still having the capability of talking. Hell, half his jaw is hanging off of his face for some of the book and he doesn't even seem to notice. Everything about this volume is dark and gritty, and it's unforgiving. Scarecrow is probably the scariest I've seen him in a Batman comic, and Batman is nearly at his most helpless against him. Struggling to remember why what he does is right by him, Scarecrow makes Bruce's journey through his mind that much more difficult when he loads him full of a new, and more powerful fear toxin. There aren't really any other villains in this book besides the Penguin who makes a small appearance when the Scarecrow is prepping his newest plot. This isn't the strongest of the New 52 Batman titles, but it surely makes a point to be one of the darker entries. If you like your Batman in the shadows with a side of spooky, this volume of Batman: The Dark Knight is definitely for you.

WRITING : ( 7 / 10 )
ARTWORK : ( 9 / 10 )
STORY : ( 8 / 10 )
COVERS : ( 9 / 10 )
AWESOME : ( 9 / 10 )
FINAL RATING : ( 9 / 10 )

Tuesday, August 13, 2013

TOP TEN TUESDAY: Heroic Humans

It's been more common in superhero films recently, but sometimes our beloved heroes aren't blessed with any true superhuman powers. Some of them exemplify the best of human beings, and while it is rare, it is always a great thing to see ordinary people do extraordinary things. This list was extremely hard to compile, as most superhero films revolve around characters that are supernatural in some way, shape, or form. Some may argue that the heroes on this list also have some sort of additional ability that is superhuman, but as far as I know all of these characters are human as can be. There were a lot of possible lists to be done, but this was the most concise option. This weekend sees the release of two biopics, Lee Daniels' The Butler and Jobs, and though a list of the top ten biopics would be great, it was extremely difficult to narrow down to 10. Also, I had thought of doing a list of top ten African-American centric dramas for Lee Daniels' The Butler, but even that just didn't seem right. It just now occurred to me that I could even do a list in support of Paranoia with Liam Hemsworth, Gary Oldman, and Harrison Ford, of movies that star a young male lead popularized from teenage heart throbbing (Abduction with Taylor Lautner anyone?). But on top of those three films releasing this weekend there is also the release of the sequel Kick-Ass 2, sequel to 2010's Kick-Ass. I'm extremely excited for the sequel and I really loved the first so, I think I'm going to enjoy the new one. Especially with the new character Colonel Stars and Stripes played by Jim Carrey, I know it's going to be a blast. I'm really disappointed that Carrey has withdrawn his support for the film due to recent interest in preventing gun violence, but he completed the role and fortunately for us we'll still get to see his crazy, comedic hero. So anyways, here is the list of the top ten super hero films that have human heroes with no powers other than the power of soul and the human heart.

10. Dredd (2012)

Maybe not resembling a human in the closest terms, the futuristic judge, jury, and sometimes executioner Dredd begins the list at number ten. A remake of the of the 1995 Judge Dredd starring Sylvester Stallone as Dredd, Dredd has Karl Urban playing the futuristic super cop. The reason he Dredd makes the list is mostly for being the badass that he is. In the film, he rarely shows a trace of human emotion but uses his moral compass to guide him through his daily job responsibility of judging those who have committed crimes and determining their punishment on the spot. Something about the judge, jury, and executioner role strikes me as intriguing and extremely human because is it not our humanity that allows us to judge others for what they have done? If it weren't for our ethics and morals as human beings, the purpose of the Judges in this movie would make no sense. But it is because of our relation to wanting to be a Judge like character in our every day lives, judging those whom we disagree with, that make the character so appealing. Karl Urban knocks badass out of the park, but shows just the tiniest spark of humanity to show that not all heroes have to have powers or superhuman ability, to save the day.

9. Super (2010)

Super was a much buzzed about independent film a few years back, and rightfully so. Coming off of the heels of Kick-Ass, filmmakers were trying their hand at creating a human hero that audiences could sympathize with. This was to be the ultimate attempt and there were a lot of fans of this film starring Rainn Wilson as Frank Darbo who becomes the Crimson Bolt. Concerned about his wife getting involved in the drug trade, he comes up with his "super" alter ego to scare the pants off his enemies. He eventually befriends Ellen Page who becomes Boltie, his trusty sidekick. I for one, wasn't all that impressed with Super after seeing it and preferred another one of the Kick-Ass mockbusters over it, that wasn't nearly as hyped. I think the fact that Super saw the rounds at some film festivals helped its credit, and starring people that were just far enough removed from A-list that it seemed like an independent hit with these people acting their asses off. Rainn Wilson was his typical self, as was Ellen Page and Liv Tyler. So for me, I wasn't as impressed as everyone else was, but this was still a good dark comedy playing off the success of Kick-Ass and I recommend it if you're a fan of the type of the movie.

8. Scott Pilgrim vs. The World (2010)

I love this movie. I straight up have a dripping heart's full of love for this movie. Directed by Edgar Wright, famously known for the Cornetto trilogy (Shaun of the Dead, Hot Fuzz, and the upcoming The World's End), Scott Pilgrim vs. The World shows the incredible talents of and up and coming genre director who has quite a following. Surprisingly Simon Pegg and Nick Frost don't make cameos in the film, as they're Wright's buddies and they usually form the trio that has made my favorite movie of all-time (which if you don't know what it is by now, then it sucks to be you). This movie was hyped from the beginning because of the obvious talent in the director's chair, but even once it had been seen by several people it was receiving a lot of good buzz. It's based off of a comic series of the same name, and now that I've read the books I appreciate the film a lot more. It is literally frame for frame, panel by panel nearly what the book is, and the movie look so much like a real life comic book it's awesome. Containing probably the best movie cameo outside of the one in X-Men: First Class, this starred a handful of people outside of the main stars Michael Cera and Mary Elizabeth Winstead. If you haven't seen Scott Pilgrim vs. The World, all I will tell you is this. When Scott Pilgrim wins, his enemies are turned into piles of coins and even though he's human, he always finds a way to defeat his seemingly superhuman enemies, also known as Ramona's seven evil exes. Some may argue the human aspect of Scott Pilgrim, but I'd say he's pretty damn human as he practically walked into victory with each evil ex on accident.

7. The Punisher (2004)

Not really popularly known for being that great, 2004's The Punisher starring Thomas Jane as Frank Castle was one of my favorite films as a teenage boy for obvious reasons. It's packed full of action, but on top of that it had a lot of acting talent in the form John Travolta as the bad guy, as well as one of my favorite actors currently, Ben Foster. This film was part of the resurgence in Marvel properties being turned into feature films, but it was also before Marvel Studios went off on their own to make the movies without production company interruption. I was happy to see this film made because I was a huge fan of The Punisher growing up but I also just loved R-rated movies because I wasn't allowed watching them. I read the novelization of this movie before I was able to convince my dad to take me to see it. Thomas Jane is an action star who has yet to be recognized for it, and he was perfect for the role of The Punisher in my opinion. A big, somewhat hulking man that is stockier than he is tall, got the job done in getting revenge against his family's killers. This is about as compassionate and vengeful a tale as you get, and it shows Castle's heroicism over everyone else in the Marvel universe that he squares off against. It's hard not to get absorbed into Frank's story as a fellow human being, because he loses his family and essentially his entire life in a flash and gets the chance to do what we all would wish to do in that situation. Get revenge, and punish those responsible, ourselves.

6. Defendor (2009)

In the time that Super was popular and generating mass amounts of buzz, this was the film I was talking up in its place. Woody Harrelson plays Arthur Poppington who becomes Defendor and believes that he is now a super hero. He uses everyday techniques to fight crime and is forced to try and save the teenager he befriends in Kat Dennings' Katerina Debrofkowitz. The reason this movie is so much better to me is that it has so much more heart than that of Super. The Crimson Bolt is faced with quite a villain from the getgo in Kevin Bacon who is an absolute douche and drug kingpin, but Defendor is faced with an everyday crime and wants to solve it. There is something about Arthur Poppington that draws a lot of sympathy, and I'm not sure if it's because he is mildly stupid or seems to have some sort of learning disability. He fully and wholeheartedly believes that he is a super hero, and it's that which draws the attraction to the character for me. Also, the platonic relationship he creates with Katerina is heartwarming especially after you see that he's not trying to save a loved one, he just sees wasted innocence and wants to preserve it just like his has been. There is something about Harrelson's portrayal in Defendor that just hit me in all the right places, and if you were a fun of Super, Defendor is a must-see film.

5. Kick-Ass (2010)

The reason for this list in a way, is 2010's Kick-Ass. Touted as a movie that was no-holds barred action but with super heroes that were just kids aspiring to be heroes in costumes, it was a pretty big hit at the box office. Most of the reason in my opinion for it being a hit, was Hit Girl herself played by Chloe Grace Moretz who is slowly building a reputation as she gets older. It was rumored at the time that even she was not allowed to see the final product because it was that hardcore. I will admit, that Kick-Ass definitely didn't shy away from language and blood along with senseless violence, but it wasn't enough to really cause the ruckus that it did, and again is seemingly having people speak out against. Aaron Taylor-Johnson plays the titular hero Kick-Ass, which is based off of a graphic novel by the same name written by Mark Millar and John Romita Jr., and plays the role of a kid pretty well. Also, Nicolas Cage plays Big Daddy who is Hit Girl's father and eventually teaches the two how to fight crime appropriately and by the book. I really like Kick-Ass even though it is very hyperviolent and quite unrealistic, because it has a sense of humor and there is the definite human element. There is actually one scene where Kick-Ass unnecessarily rescues an innocent man from a crime and there are spectators recording the video which becomes the debut of the hero, and it's actually a very heartwarming scene despite the beatings issues on both sides.

4. Watchmen (2009)

Not entirely comprised of human beings, Watchmen is the adaptation to the graphic novel of the same name by Alan Moore. It's a classic fictional work even outside of its graphic novel genre, and the movie is a pretty faithful adaptation because of it. The story mostly focuses on the Watchmen, who are a band of superheroes, some super and some not, that are tasking themselves with fighting crime in their city. Heroes like Doctor Manhattan and Rorschach obviously have some sort of supernatural element to them, but the majority of the Watchmen are human beings and that is where the story focuses. Nite Owl and The Comedian are two of the main heroes of the Watchmen and Nite Owl is the central character, at least to me, when reading the book or watching the movie. A lot of people had problems with this movie, and there were even people that said it didn't do the original book justice. I for one thought that Zack Snyder did a phenomenal job on the movie adaptation, and you all should know by now that I have a bone to pick with him as a director. The director's cut is even better than the theatrical cut too, but it also extends the show time to over three hours which isn't an easy feat for most viewers. I would recommend watching it though, and most of you should know by now through my reviews that Watchmen is easily the greatest graphic novel of all-time, and the story takes a deep and often dark look into the psyche of humans who wish to be supernatural, and superhumans who would do anything to be human again.

3. Batman Begins (2005)

If you know anything about me, seeing this movie at number three should provide you with the rest of the top three choices. Obviously most of you have seen the Christopher Nolan Batman trilogy, but there may be some of you who are still not swept up into the craze yet. Really, they are some of the best films to be made in the action genre, and considering that it's based off of a comic book and a human hero protecting the city he grew up in, it's pretty damn impressive. In Batman Begins, Bruce Wayne's journey to becoming the Batman is chronicled through his life as a child into his journey outside of Gotham where he was trained by Ra's Al Ghul and his school of ninja warriors. Bruce battled many things before he was battling villains like The Joker and Bane, mostly himself. Tormented by the loss of his mother and father, Bruce resolved to protect those who needed protection in Gotham. He did this because of his sympathy for the citizens of his city, and he did not want them to suffer as he had. When his incredible amount of resources showed that he would have everything to protect Gotham at the tip of his fingers, he took it upon himself and created a persona. This alter ego became known as the Batman, as he struck fear into the hearts of the grimy underbelly of Gotham, and thus became known as the city's masked vigilante.

2. The Dark Knight Rises (2012)

Then finally the film that everyone had been waiting for came, The Dark Knight Rises. The conclusion to the epic Batman trilogy by a hopefully now renowned director, Christopher Nolan. As if the analyzation of the character of Bruce Wayne and his crime fighting alter ago Batman couldn't get any more detailed, Nolan found a way to pit him against the apocalypse, or at least the biggest that he could face as one man. Never before had the threat extended past people he know, or beyond the city. Bane found a way to exploit Batman's weaknesses, as a human being, and created a plan that would destroy the very fabric of Bruce's existence. Even though Bane is also a human being, a tough one at that, he is another perfect villain to be alongside Batman in a struggle of good and evil. All of Bruce Wayne's human characteristics are brought to the surface by Bane, and he is truly more explored as Wayne in The Dark Knight Rises than in any other film. The threat became so big that it was almost even too big for Batman, and once it was Batman that was infamously defeated by Bane, it was Bruce Wayne that has to perservere and conquer the evils of Gotham City. This movie comes just about as close to The Dark Knight as it can. The haunting portrayal of Bane by Tom Hardy is a great follow-up to Heath Ledger's Joker, though it could never be topped for obvious reasons. If there was ever a time where I was forced to choose between the latter two films of the trilogy, I don't think I could do it.

1. The Dark Knight (2008)

But where Batman Begins renewed the faith of fans in Batman film, then came the sequel The Dark Knight. Famously known now as Heath Ledger's final complete role, where he plays The Joker, this movie packs one hell of a punch. It is hands down my favorite movie of all-time, and I don't foresee it being dethroned anytime soon. The hype for this movie was insurmountable, and it was all because Christopher Nolan had successfully transformed Bruce Wayne and his alter ego, Batman, into believable human characters. Prior to his trilogy, Batman had become a cartoon character, and really an embarrassment to the character's history via Bat credit cards and terrible puns. What Nolan did with The Dark Knight was further the character analyzation of Batman by pitting him against his number one foe, The Joker. Heath Ledger's performance though captures the essence of evil in human form. The Joker, known for causing mischief in his own dementedly fun way, is also a human being that poses the villainous threat to Batman. Without Ledger's terrific portrayal as The Joker, Christian Bale's Batman doesn't see as much human reflection as it does in the second film. Bruce Wayne is forced to look at himself as a human being, and critique himself on the choices he makes as Bruce, and as Batman. There is a reason I think this is the greatest movie of all-time, and it's not just because it's about Batman, or The Joker. It's because these films that Nolan crafted are so much more than just a good guy against a bad guy, but it truly takes a deep look into what makes Bruce, Batman, and vice versa. This is my love letter to Nolan's Batman trilogy, signed sixthreezy.

Friday, July 27, 2012

REVIEW: The Dark Knight Rises

PLOT: Eight years on, a new terrorist leader, Bane, overwhelms Gotham's finest, and the Dark Knight resurfaces to protect a city that has branded him an enemy.

REVIEW: The Dark Knight Rises has unquestionably been the most anticipated movie of the summer, if not the entirety of 2012. The main question now is, did it live up to the hype? If you're asking me that question, the answer is undeniably yes and it's by a long shot. Christopher Nolan has done what few other filmmakers have ever challenged themselves to do, let alone successfully done, and that's make a trilogy that gets better with each film. The only comparison I can make to Nolan's Batman trilogy is Peter Jackson's epic Lord of the Rings trilogy which scored itself quite a lot of recognition by moviegoers, critics, and the Academy alike. Nolan's trilogy has not been recognized quite on the same level as Peter Jackson's by the Academy, but I think with The Dark Knight Rises Nolan has finally proven himself to the fans and critics that he's a mainstay in modern cinema. Not only that, but I feel that he has now proven himself to the Academy and should be recognized in the category of Best Director as he has yet to be nominated for the award. But Christopher Nolan does not single-handedly make this movie what it is, as he has assembled an oustanding cast throughout his years of filmmaking. Actors and actresses, old and new, provide an oustanding range of acting for a superhero film to date. The score to the film is another big part of what drives The Dark Knight Rises into your heart and mind, and even though it's somewhat a copy from the other films, it's very much at the wheel of this third and final installment. Where this film falls short though is left to each individual viewer, and there are complaints that can obviously be made, but when a filmmaker astonishes you so much with his magical direction, you can't help but put those complaints aside for the appreciation of one hell of a film, directed by whom I would like to call, the modern master magician of film.

Christopher Nolan's track record is still a bit sparse, but from time to time I have to remind myself that his track record is also nearly perfect as well. Ever since Memento, Nolan has continuously delivered films that have entranced audiences everywhere. He's done it in several different genres, though some would argue that most of his films are of the action variety. He's done it in several different ways too, and a film I often find myself using to describe his style is The Prestige. Most of his films consist of the three acts discussed in the film: The Pledge, The Turn, The Prestige. Some would say that his Batman trilogy was a per film, demonstration of just that. In Batman Begins, Nolan clearly redefines Batman as a character and grounds his mythos in reality, as opposed to a lot of other creations in the Bat-universe. What was typically known as a superhero movie, had now become something as simple as a crime drama. But what Nolan did was intertwine these elements that were previously only seen in summer blockbuster superhero films, into a film that could be watched by almost anyone and be seen as something other than a popcorn action film. There was heart, humor, drama, action, dazzling performances from the cast, and brilliant writing and direction to the point that the viewer almost forgets that they're watching a Batman film. With Batman Begins, Nolan showed The Pledge of his trilogy by introducing us to this new version of the common character, all the while remaining true to the character of Bruce Wayne and his basic story. Then came The Dark Knight, the absolutely spellbinding film that defined several careers in the making, and unfortunately led to the loss of a true up and coming star, Heath Ledger. His extraordinary vision of the Batman in absolute turmoil, pitted against one of the greatest villains of all-time (not just in the Bat-universe), the Joker. It was a film that finally proved superhero movies weren't just for kids, and it wasn't just for comic book geeks,  it could be for everyone if given the chance. It was a true villain's movie also, showing that our heroes are only what their villains make them, and a haunting portrayal of the Joker showed just how serious a Batman film could be. Though the performance of Ledger as the Joker is the most memorable portion of The Dark Knight, Nolan was meanwhile leading us along through another one of his acts in the Batman trilogy. The Turn, as it was, demonstrated by Nolan and his evolving cast of talent to bring the Batman universe to a bigger scale than had ever been seen in film. It was an unseen titan of a movie before Ledger's death, which then only propelled it into absolute insanity (much like the Joker himself). The success of The Dark Knight finally gave Christopher Nolan the mainstream attention he so deserved years previous, and thus began the demand for more of Nolan's Batman, or The Prestige of his Batman "magic". With The Dark Knight Rises, it was thought that the quality of its predecessor was unreachable, and that at best he could only find what made the first film so great. Not only were most wrong, but they were caught up into The Prestige of Nolan's magic as well. This film clearly shows all of Christopher Nolan's strengths as a director. He so subtly injects everything you need to know and feel into his film, and it isn't until it's necessary to realize their importance to the plot do you notice it. I think this could very well be his biggest and best accomplishment to date, reason being that not once since or before Peter Jackson's Return of the King have I seen a third film so easily top the previous two films before it. It's absolutely amazing how great of a film The Dark Knight Rises truly is, but of course, not all of the credit can go to Nolan.

The acting talent in The Dark Knight Rises is insurmountable in the world of superhero film, and the only reason it's possible is because of the amazing Chris Nolan. By far though, Nolan has made use of one actor more than any other in all of his films, and that is the talented Christian Bale. Bale has assumed the role of Batman since Batman Begins, and has slowly transformed himself into the Bruce Wayne we now see in this third installment. Coming from young and reckless, to brave and bold, and now weathered, beaten, and still reckless. When we first see Bruce Wayne in The Dark Knight Rises, he is walking around with a limp and cane, and has obviously seen better days. Eight years have passed since we last saw the wealthy bachelor in action as the Batman, and though only half that time has passed in the real world, Bale is able to portray that in such a subtle way. The tormented Bruce Wayne that I know and love so well from the comics, is brought to the screen with such perfection that I couldn't help but smile even though Bruce had found himself at odds with Gotham, and the world. The Dark Knight Rises is the definite Bruce Wayne film, as you can say Batman Begins was for Batman, and The Dark Knight was for the Joker. I can't really point out directly what it is that makes his performance so much wiser and roughed up, but you really feel that Bruce Wayne hasn't seen the lights of Gotham in eight years, or since we last saw him at the end of The Dark Knight. Bale at this point though has done something that no other Batman actor before him has done, and that is to actually become Bruce Wayne, and even more so to become the Batman. Never when you watch any of the previous incarnations of Batman on film, do you truly see the character on screen as Batman and not even think of the actor hiding behind the cowl. Christian Bale's on screen presence is little to none, and it's so easy to lose yourself in Nolan's mastery of creating an ultimately believable and real Batman. Christian Bale, is Batman. Christian Bale, is Bruce Wayne. There's also no doubt in my mind at this point, that there is no one else who could have done this as well as he has done it and I'm so glad that Nolan discovered the brilliance of Bale as an actor in the early 2000's. Nolan's only success in finding acting talent however, is not just with Christian Bale, but also with the supporting casts of his films, especially in his Batman trilogy.

Obviously, none of us will ever be able to forget the stunning performance given by the late Heath Ledger in The Dark Knight which won him a posthumous Oscar for Best Actor in a Supporting Role. When Heath was first chosen for the role of the Joker, I along with many others thought "how in the hell is this young actor going to even come close to anything that's the Joker, surely it will be awful". The result was absolutely jaw-dropping, and I'll credit that to Christopher Nolan knowing the talents of actors and where they can take themselves, when no other director is willing and/or able to find these skills for their own films' daring roles. Again in The Dark Knight Rises, Nolan has hand-picked his actors specifically for his Bat-world, and he does it well. Bane, a character previously tackled (and should have been sacked) in the god awful Batman & Robin, is now treated with respect in Nolan's universe. Chosen for the role is yet another up and comer, Tom Hardy. I first saw Hardy in the film Bronson, where he played the infamous criminal Charlie Bronson. He was bulked up and made out to be an absolute monster in this film, so it was no question to me whether he could appear as the brooding and menacing Bane in The Dark Knight Rises. My doubts stemmed from the fact that after such a wonderful performance from Ledger and the Joker, how do you top that in the next film with a villain that to me, is equally as threatening to the Batman. Bane is commonly known from the Batman comic arc of Knightfall, where he famously breaks Batman's back and puts him out of commission as Gotham's savior while he goes rampant on the city. Bane is a very smart villain, probably one of Batman's smartest foes, and it just seemed like such a hard villain to tackle after the Joker, especially in Nolan's universe. What Tom Hardy and team came up with was absolutely brilliant, and it's really uncanny how it works so well in the film. Hardy's English accent goes nowhere, and honestly may even be a little stronger in the film. Along with the Vader-like mask combo, it provides for an ultimately disturbing voice performance that completely commands the viewer's attention. Being that Tom Hardy's performance is limited to his eyes, partial facial expressions, and his masked dialogue, I find that it's equally as impressive as a performance like Ledger's. Sure it's not of the same physicality as the Joker, but it's equally as haunting and entrancing, as I would say that every scene in this film where Bane is on the screen, my eyes were glued. Though Bane and Batman are the main antagonist and protagonist in The Dark Knight Rises, there are so many other performances that continue from previous films and ultimately reach their arc's end, as well as other new additions to Nolan's mythos.

When I first heard that Anne Hathaway would be in Nolan's third Batman film, I just thought "well there goes half the movie". Anne Hathaway to me, is almost as bad as Sandra Bullock, and while she is nowhere near as bad, I was still worried that she would completely suck the life out of her role much like Katie Holmes did her role in Batman Begins. However, Hathaway as Selina Kyle a.k.a. Catwoman completely caught me by surprise. She absolutely nailed everything about the Catwoman character that appeals to me. She had the sex appeal, she had the attitude (or cat-titude, if you will.. Meow!), and more than everything else, she grounded the character completely into Nolan's universe even though I totally thought it was impossible. And again, I was amazed that someone who I never could have seen in a Batman film, was selected by Nolan to take on one of the most well-known Batman characters and straight up nailed it. Again, Nolan knows the skills of his acting crew and I don't think I could ever doubt any of his choices again. Another new addition in The Dark Knight Rises, is Joseph Gordon-Levitt as young cop John Blake. I've been a big fan of JGL since his breakout role in the film Brick (which if you haven't seen, is definitely worth a watch), and I knew he would pull his weight here much like he did in Nolan's previous film Inception. I really like Blake's relationship with Bruce Wayne and Batman, and I think it was a big proponent of what made this Bruce Wayne tale so epic and important to the story. His character really puts it all out there for the audience to see, if you hadn't noticed it from Bale's brilliant performance in the first place. Marion Cotillard also shows up big in this film as another recycled talent from Inception, and really plays her character well on both sides of the coin. There were many other small roles in the film that were given bigger parts this go around, which made them feel like new, along with a few other new small roles which were all well-acted. There is an unbelievable amount of actors in this film that I recognized, and it made me realize midway through just how large and epic this film really is. That any actor out there, was probably dying to just to play someone like a Security Guard #2 role.

Of course, many of the supporting characters from the previous two films make a return in the third installment as well. Morgan Freeman again plays Bruce's technological support Lucius Fox, who again provides a lot of the comic relief in the film. Freeman is undoubtedly a great actor, and again shows the importance of Lucius Fox to Nolan's Batman arc. Also returning from the first two films is Michael Caine as Bruce Wayne's butler Alfred Pennyworth. Caine has most definitely done a fantastic job throughout playing Wayne's caretaker, and really only "family" member he has left. Caine is a wonderful actor, who by now is very seasoned in the art, and this film is definitely his breakout performance under the guise of Alfred. There are many heart-to-heart interactions between Bruce Wayne and Alfred in The Dark Knight Rises, several of which brought tears to my eyes. There is one gut-wrenching scene in the final minutes of the film with Alfred speaking to Bruce, that almost sent me to the floor, curled into a ball and sobbing uncontrollably. Never have I found myself moved to tears by any of Nolan's Batman films, but there were at least a couple of times in the last half hour where I found myself glassy eyed. Even after the movie was over, and I was discussing it, I was unable to recount a few of the final moments from the film without losing control of my voice. It just goes to show how powerful this film truly is, and Caine's performance this time as Alfred is absolutely oustanding, and shows just how integral Mr. Pennyworth is to the existence of Bruce Wayne and the Batman. The other returning character present is Jim Gordon played by the great Gary Oldman, and as usual does a fantastic job as Batman's one and only trusty ally in the G.C.P.D. It's not really his most prevalent and awe-inspiring performance, as it is pretty much Jim Gordon per usual, but also as usual he's still a very important piece to the epic scope of a puzzle that The Dark Knight Rises is.

The last, but definitely not least important piece of the puzzle is the score composed by Hans Zimmer. Zimmer has done the scores for all three of Nolan's Batman films, and having done so he is able to piece together a familiar yet unique musical setting for The Dark Knight Rises. This score is so intense and demands the attention of the listener on a subconscious level. It reminds me of the driving scores behind a film like David Fincher's The Social Network, where it absolutely commands the viewer to watch what is happening on the screen. It adds a whole other level to the film, and it's merely just playing in the background the entire time. Zimmer has done a lot of great work on a lot of great projects, but his score behind this film may be some of his best work to date. In the end, The Dark Knight Rises is nothing short of a masterpiece. It cannot be credited to just Christopher Nolan, though most of it has to be put under his name because of his unreasonable ability to suck in a viewer of his films. It also can't be credited to the cast and crew in any specific order. Much like the rest of Nolan's Batman films, it is all of the elements and talents put together that provide for a truly unique, cinematic experience that brings Batman, and other heroes and villains to the level of reality like its never been seen before. Yet again, Christopher Nolan has proven to us that superheroes can exist on an Academy quality level of film, and still remain true to their source material without being hokey or corny. I demand that Nolan finally be recognized by the Academy for Best Director in 2012. I would also love to see Christian Bale finally recognized for his one of a kind performance as Bruce Wayne and his masked alter ego, the Batman. On top of that, I'd even be happy to see Tom Hardy be recognized for his performance as the spine-tingling Bane, though I doubt the latter two of three will happen. The Dark Knight Rises was a special occasion of the summer, and of 2012, and of cinema history in general. Not only has the Dark Knight risen, but so has the expectation for superhero film in the future, as well as any movie that Christopher Nolan decides to make next. We are all waiting for your next magic trick, sir.

ACTING : ( 10 / 10 )
STORY : ( 10 / 10 )
EXECUTION : ( 10 / 10 )
POSTER : ( 10 / 10 )
AWESOME : ( 10 / 10 )
FINAL RATING : ( 10 / 10 )